Six Études de concert, Op. 35. This set of etudes was composed around 1885 and published in 1886. Each etude bears a descriptive title and is dedicated to a specific individual. While these etudes present significant technical challenges, Chaminade's stylistic approach ensures that they do not sound excessively difficult. By listening to her recordings, one can discern the light and nimble quality of her playing, which is notable for its apparent ease. Studying Chaminade's etudes reveals valuable lessons in refining motor skills and precise positioning of arms, hands, wrists, and fingers to achieve optimal balance of voices and sound effects. III. Fileuse Fileuse (spinning song) is inspired by the imagery of a woman at a spinning wheel. The piece combines both the delicacy and the passionate aspects of Chaminade’s musicality, featuring a rich palette of dynamics and colors. The introduction evokes the imagery of a spinning wheel through rapid sixteenth notes, creating a light and fluid effect. Fileuse also features rapid staccato passages that contrast with the flowing texture of the opening measures.

Farrenc - Air Russe Varié pour le Piano-Forte (Variations on a Russian Air) Air Russe Varié, composed in 1835, is Louise Farrenc's most significant contribution to the solo piano repertoire. Schumann greatly admired it and heard it repeatedly in the recital halls of Paris during the composer’s lifetime. Beginning with an introductory prelude filled with a misty and romantic atmosphere, the piece unfolds with the presentation of the main theme, followed by eight variations and a concluding finale. These variations present a broad spectrum of styles, from the ornate embellishments and virtuosic passages typical of Parisian taste at the time to the more serious and intricate canonic and fugal writing found in the finale. Farrenc's fondness for early music influences the composition, adding depth and complexity to her writing. Schumann praised the piece's meticulous construction, logical development, and subtle romantic undertones, commending Farrenc's imaginative approach and adept handling of complex counterpoint, noting the charm of her compositions.

Six Études de concert, Op. 35. This set of etudes was composed around 1885 and published in 1886. Each etude bears a descriptive title and is dedicated to a specific individual. While these etudes present significant technical challenges, Chaminade's stylistic approach ensures that they do not sound excessively difficult. By listening to her recordings, one can discern the light and nimble quality of her playing, which is notable for its apparent ease. Studying Chaminade's etudes reveals valuable lessons in refining motor skills and precise positioning of arms, hands, wrists, and fingers to achieve optimal balance of voices and sound effects. II. Automne Automne, one of Chaminade's best-known piano compositions, was composed during one of her annual retreats to Périgord, drawing inspiration from the region's picturesque scenery. The piece, evoking the beauty of autumn, resonates with simplicity and warmth. The opening theme requires a steady pace and rich tonal quality. Throughout the piece, Chaminade employs rich textures in different registers, creating harmonious ripples that enhance the melodic theme. While the overall atmosphere remains tranquil, the fiery B section presents intense rhapsodic passages that feature diminished chords. As the piece gradually returns to its peaceful character, the intensity subsides, and a reprise of the main theme emerges, concluding in a peaceful spirit.